The Broken Estate: Essays on Literature and Belief: …

In England, if one simply considers the number of peopleinvolved, it is probable that the dominant form of nationalism isold-fashioned British jingoism. It is certain that this is stillwidespread, and much more so than most observers would havebelieved a dozen years ago. However, in this essay I am concernedchiefly with the reactions of the intelligentsia, among whomjingoism and even patriotism of the old kind are almost dead,though they now seem to be reviving among a minority. Among theintelligentsia, it hardly needs saying that the dominant form ofnationalism is Communism–using this word in a very loosesense, to include not merely Communist Party members, but 'fellowtravellers' and russophiles generally. A Communist, for my purposehere, is one who looks upon the U.S.S.R. as his Fatherland andfeels it his duty t justify Russian policy and advance Russianinterests at all costs. Obviously such people abound in Englandtoday, and their direct and indirect influence is very great. Butmany other forms of nationalism also flourish, and it is bynoticing the points of resemblance between different and evenseemingly opposed currents of thought that one can best get thematter into perspective.

Broken Estate Essays on Literature & Belief: James …

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The Broken Estate : Essays on Literature and Belief

Of the above-mentioned nine cases, at least four have hadsuccessful novels based on them, one has been made into a popularmelodrama, and the amount of literature surrounding them, in theform of newspaper write-ups, criminological treatises andreminiscences by lawyers and police officers, would make aconsiderable library. It is difficult to believe that any recentEnglish crime will be remembered so long and so intimately, and notonly because the violence of external events has made murder seemunimportant, but because the prevalent type of crime seems to bechanging. The principal CAUSE CÉLÈBRE of the waryears was the so-called Cleft Chin Murder, which has now beenwritten up in a popular booklet; the verbatim account of the trialwas published some time last year by Messrs. Jarrolds with anintroduction by Mr. Bechhofer Roberts. Before returning to thispitiful and sordid case, which is only interesting from asociological and perhaps a legal point of view, let me try todefine what it is that the readers of Sunday papers mean when theysay fretfully that "you never seem to get a good murdernowadays".

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The Master of the Not Quite: The Broken Estate: Essays on Literature and Belief …
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The idea that the field of SF ever rejected or hated women is a straight up lie, and black gay SF author Samuel Delany was certainly given his due with praise: 4 Nebula and 2 Hugo Awards in the 1960's. Delany's colleague, arch-feminist Joanna Russ, who broke into SF in the same time frame, was so obsessed with her own politicized identity I'm not surprised she simply assumed men shared it. In fact, Russ's main from her 1983 book, How to Suppress Woman's Writing, is straight up paranoid. Why Russ was ever attracted to SF in the first place is a mystery for the ages, but there is little doubt she holds a god-like status among intersectionalist SF writers today, who apparently believe men think women should play tennis in long skirts and have their pencils taken away. Russ's essay is still referenced on blogs and Twitter within the SFF community on an almost weekly basis, because the

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Mark Twain has sometimes been compared with his contemporary,Anatole France. This comparison is not so pointless as it maysound. Both men were the spiritual children of Voltaire, both hadan ironical, sceptical view of life, and a native pessimismoverlaid by gaiety; both knew that the existing social order is aswindle and its cherished beliefs mostly delusions. Both werebigoted atheists and convinced (in Mark Twain's case this wasDarwin's doing) of the unbearable cruelty of the universe. Butthere the resemblance ends. Not only is the Frenchman enormouslymore learned, more civilized, more alive aesthetically, but he isalso more courageous. He does attack the things he disbelieves in;he does not, like Mark swain, always take refuge behind the amiablemask of the 'public figure' and the licensed jester. He is ready torisk the anger of the Church and to take the unpopular side in acontroversy–in the Dreyfus case, for example. Mark Twain,except perhaps in one short essay 'What is Man?', never attacksestablished beliefs in a way that is likely to get him intotrouble. Nor could he ever wean himself from the notion, which isperhaps especially an American notion, that success and virtue arethe same thing.