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Some critics consider the emphasis on death in nineteenth century British literature as simply a reflection of the realities of the time, as a warning that conditions must be improved, or as a means of providing moral instruction for the reader. However, Carol Hanbery MacKay suggests that certain descriptions of death illustrate the sublimation of sexual impulses and the influence of Victorian public morals. In addition, feminist scholars have explored other kinds of death including the social death that women can experience while living in a sexist society. For example, Beth Ann Bassein argues that the accidental death of Maggie in a George Eliot novel promotes the negation of the achievements and abilities of women. Elisabeth Bronfen, on the other hand, examines the process of the representation of a woman's death, the return of the woman from death as a revenant, and the detecting of the woman's secret truth, which brings about the second and final death of the woman. Still other scholars have been interested in studying aspects of life beyond death. Benjamin P. Kurtz traces the development in the thought of Percy Bysshe Shelley from a philosophy of materialism to a belief in the immortality of the spirit. And finally, Edward T. Hurley finds in the writings of George Eliot an emphasis on immortality through the family rather than on immortality for the individual through the intervention of God.

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Death in Nineteenth-Century British Literature Critical Essays

From around 1910 the began to influence British literature. While their Victorian predecessors had usually been happy to cater to mainstream middle-class taste, 20th-century writers often felt alienated from it, so responded by writing more intellectually challenging works or by pushing the boundaries of acceptable content.

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The Union of the Parliaments of Scotland and England in 1707 to form a single and the creation of a joint state by the had little impact on the literature of England nor on national consciousness among English writers. The situation in Scotland was different: the desire to maintain a cultural identity while partaking of the advantages offered by the English literary market and English literary standard language led to what has been described as the "invention of British literature" by Scottish writers. English writers, if they considered Britain at all, tended to assume it was merely England writ large; Scottish writers were more clearly aware of the new state as a "cultural amalgam comprising more than just England". 's "!" is an example of the Scottish championing of this new national and literary identity. With the invention of British literature came the development of the first British novels, in contrast to the English novel of the 18th century which continued to deal with England and English concerns rather than exploring the changed political, social and literary environment. (1721–71) was a Scottish pioneer of the British novel, exploring the prejudices inherent within the new social structure of Britain through comic . His (1748) is the first major novel written in English to have a Scotsman as hero, and the multinational voices represented in the narrative confront prejudices only two years after the . (1771) brings together characters from the extremes of Britain to question how cultural and linguistic differences can be accommodated within the new British identity, and influenced . wrote patriotic comedies depicting characters taken from the "outskirts of the empire," and intended to vindicate the good elements of the Scots, Irish, and colonials from English prejudice. His most popular play, "" (1771) was performed in North America and the .

Essays and criticism on Death in Nineteenth-Century British Literature - Critical Essays
Essay topics and thesis ideas about the romantic movement, from a retired British Literature teacher. Helpful videos included.

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from (now ) published her first novel in 1950, after immigrating to England. She initially wrote about her African experiences. Lessing soon became a dominant presence in the English literary scene, publishing frequently, and won the Nobel Prize for Literature in 2007. (1932– ) was another immigrant, born in Trinidad, who won the Nobel Prize in Literature. Also from the is (1927– ) who wrote (1953), while from Pakistan came (1954–), a playwright, screenwriter, filmmaker, novelist and short story writer. 2017 winner (1954– ) was born in Japan, but his parents immigrated to Britain when he was six, and he became a British citizen as an adult. (1949) is one of the most prominent British novelists of the end of the 20th, beginning of the 21st century. (1943–) has won many awards for her fiction. English novelist and screenwriter (1948– ) is a highly regarded writer.

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