Chinese Literature: Essays, Articles, Reviews (Wisconsin)

CLEAR was created based on discussions between eight scholars‒Eugene Eoyang, Joseph S. M. Lau, Leo Ou-fan Lee, Wu-chi Liu, Irving Lo, Ronald Miao, William H. Nienhauser, Jr., and William Schultz‒from the universities of Arizona, Indiana and Wisconsin spread over the early months of 1977. The journal was formally launched at a meeting on 18 March 1977 in Irving Lo’s living room in Bloomington, IN. Over the next year the founding editors, Eoyang and Nienhauser, received grants from the American Council of Learned Societies, the Association for Asian Studies, and the three affiliated universities as well as from members of the original editorial board (especially Elling Eide and Irving Lo) and individuals (especially Nancy C. Ing), allowing the production of the first two issues in 1979. Over the years CLEAR has published symposia, essays, articles, reviews and occasional forums on all aspects of traditional and modern Chinese literature. It is still the only western-language periodical devoted to Chinese literature. Having gained a worldwide reputation and audience, CLEAR now appears annually in December under the direction of editors Haun Saussy, Michelle Yeh and W. Nienhauser.

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Chinese Literature: Essays, Articles, Reviews (CLEAR) …

Chinese literature : essays, articles, reviews

CLEAR was created based on discussions between eight scholars‒Eugene Eoyang, Joseph S. M. Lau, Leo Ou-fan Lee, Wu-chi Liu, Irving Lo, Ronald Miao, William H. Nienhauser, Jr., and William Schultz‒from the universities of Arizona, Indiana and Wisconsin spread over the early months of 1977. The journal was formally launched at a meeting on 18 March 1977 in Irving Lo’s living room in Bloomington, IN. Over the next year the founding editors, Eoyang and Nienhauser, received grants from the American Council of Learned Societies, the Association for Asian Studies, and the three affiliated universities as well as from members of the original editorial board (especially Elling Eide and Irving Lo) and individuals (especially Nancy C. Ing), allowing the production of the first two issues in 1979. Over the years CLEAR has published symposia, essays, articles, reviews and occasional forums on all aspects of traditional and modern Chinese literature. It is still the only western-language periodical devoted to Chinese literature. Having gained a worldwide reputation and audience, CLEAR now appears annually in December under the direction of editors Haun Saussy, Michelle Yeh and W. Nienhauser.
(copied from website, March 2015)

Chinese Literature Essays Articles Reviews (CLEAR) …

Wang, Pu. "Book Review." Rev. of The Aesthetic of the "Beyond:" Phantasm, Nostalgia, and the Literary Practice in Contemporary China, Chinese Literature: Essays, Articles, Reviews vol. 35 2013: 276-278.

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Chinese Literature: Essays, Articles, Reviews (CLEAR) is published annually (normally in December)

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This is a powerful account of how the ruin and resurrection of Zhuangzi in modern China's literary history correspond to the rise and fall of modern Chinese individuality. Liu Jianmei highlights two central philosophical themes of Zhuangzi: the absolute spiritual freedom as presented in the chapter of "Free and Easy Wandering" and the rejection of absolute and fixed views on right and wrong as seen in the chapter of "On the Equality of Things." She argues the twentieth century reinterpretation and appropriation of these two important philosophical themes best testify to the dilemma and inner-struggle of modern Chinese intellectuals. In the cultural environment in which Chinese writers and scholars were working, the pursuit of individual freedom as well as the more tolerant and multifaceted cultural mentality has constantly been downplayed, suppressed, or criticized.

By addressing a large number of modern Chinese writers, including Guo Moruo, Hu Shi, Lu Xun, Zhou Zuoren, Lin Yutang, Fei Ming, Liu Xiaofeng, Wang Zengqi, Han Shaogong, Ah Cheng, Yan Lianke, and Gao Xingjian, the author provides an insightful and engaging study of how they have embraced, rejected, and returned to ancient thought and how the spirit of Zhuangzi has illuminated their writing and thinking through the turbulent eras of modern China. This book not only explores modern Chinese writers' complicated relationship with "tradition," but also sheds light on if the freedom of independence, non-participation, and roaming and the more encompassing cultural space inspired by Zhuangzi's spirit were allowed to exist in the modern Chinese literary context. Involving the interplay between philosophy, literature, and history, Liu delineates a neglected literary tradition influenced by Zhuangzi and Daoism and traces its struggles to survive in modern and contemporary Chinese culture.

Chinese Literature, Essays, Articles, Reviews - Google …

Chinese literature essays articles and reviews - …

As with the , essays existed in Japan several centuries before they developed in Europe with a genre of essays known as — loosely connected essays and fragmented ideas. Zuihitsu have existed since almost the beginnings of Japanese literature. Many of the most noted early works of Japanese literature are in this genre. Notable examples include (c. 1000), by court lady , and (1330), by particularly renowned Japanese Buddhist monk . Kenkō described his short writings similarly to Montaigne, referring to them as "nonsensical thoughts" written in "idle hours". Another noteworthy difference from Europe is that women have traditionally written in Japan, though the more formal, Chinese-influenced writings of male writers were more prized at the time.

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A rich collection of eleven essays critically analyzing Chinese gender history from the pre-Qin era to the Republican period through the perspectives of archaeology, literature, fine art, law, religion, oral history, and social history. The articles are authored by leading Taiwan scholars plus one PRC historian. A list of chapter headings in English is included.