The Beat generation of writers sought literary achievement, but contemporary fashion, entertainment, and opinion columnists granted them much more notice than did literary critics. When Jack Kerouac, author of (1957) and the unwitting Daddy of the Beatniks, died in 1969 with only one of his twenty-some books in print, the Beat generation seemed destined to fade away, maybe to be remembered primarily as precursors to the politically engaged hippie movement. Time has proven otherwise. In the thirty years following Kerouac's death, more than a dozen biographers have covered his life, replacing the popular press's snapshots with deeply researched tomes that depict a serious and dedicated writer at work. The other major Beat writers—Allen Ginsberg, Gregory Corso, and William Burroughs, who all died in the past decade—have likewise had their lives recorded by biographers. References to the Beat writers in popular songs, movies, and television shows constitute a further tribute to their cultural relevance and to the popularity they maintain with the public at large. As distance from the 1950s increased and the 1960s counterculture bore fruit with solid social developments in the 1970s and beyond, many social critics overhauled earlier dismissals of the Beats' significance. It is now clear that the Beats [End Page 747] heralded a refreshing new age of social and literary freedoms that was taken up by the next generation of writers and activists. Solidifying their literary standing, the Beat writers' key works have appeared in reprints even as new and previously unpublished works have come out. Conferences on the Beats held at universities have focused increasingly on the literary value as well as social influence of these writers. Generally, the key Beat writers are now seen as serious literary artists who produced important and seminal work. , edited by Kostas Myrsiades, and , edited by Jennie Skerl, contribute significantly to a body of criticism and literary analysis of Beat writing that has developed over the last decade. The essays in these books enlarge and complicate our conceptions of the Beat generation and bring serious critical acumen to bear on the topic.

"Contemporary Literature". Anti Essays. 12 Oct. 2017

Modern Literature: The Harlem Renaissance

Modern Literature: The African Coming-of-Age Novel

The third section of Contemporary Literature in the African Diaspora, "African Literatures in English," begins, curiously, with a discussion of Mariama Ba's Une si longue lettre, which is in English only by virtue of its having been translated from the original French, and is not considered part of Anglophone African literature, as the title of this section implies. Nevertheless, the author of this essay, Katwiwa Mule, offers a compelling discussion of the complexities of African cross-cultural relationships and the problems of gender and post-colonialism as they are articulated from the point of view of Ramatoulaye, a French-educated Senegalese woman who is writing, in French, to her close friend, Aissatou.

Modern and Contemporary Literature

Furthermore, M. Neve (1987: 947) suggests that the author has written a novel where family life has a persecution complex about a dominant government, particularly in England, where childcare is mainly the government’s responsibility. The preservation of a well maintained childhood and consequently your own child is an issue which must be addressed by it.[5] We are introduced by the author to the incompetency of the state. This is shown in its distancing from pragmatic problems faced by individuals (such as Stephen) in contemporary society.

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Essays - Contemporary World Literature

After coming to power in 1949, the Communists gradually nationalized the publishing industry, centralized the book distribution system, and brought writers under institutional control through the Writers Union. A system of strict censorship was implemented, with Mao's "Yan'an Talks" as the guiding force. Periodic literary campaigns targeted figures such as and other figures from the New Culture period, especially , a protege of Lu Xun who, along with his wife , did not toe the Party line on literature. Socialist realism became the uniform style, and many Soviet works were translated. The ability to satirize and expose the evils in contemporary society that had made writers useful to the before its accession to power was no longer welcomed. Party cultural leaders such as used Mao's call to have literature "serve the people" to mount attacks on " idealism" " and ." This conflict came to a head in the (1956–57). Mao Zedong initially encouraged writers to speak out against problems in the new society. Having learned the lessons of the anti-Hu Feng campaign, they were reluctant, but then a flurry of newspaper articles, films, and literary works drew attention to such problems as bureaucratism and authoritarianism within the ranks of the party. Shocked at the level of discontent, Mao's put large numbers of intellectuals through so-called "thought reform" or sent them to labor camps. At the time of the (1957–59), the government increased its insistence on the use of socialist realism and combined with it so-called revolutionary realism and revolutionary romanticism.

A Comparison Of Contemporary And Romance Literature Essays

Here are ten important authors of contemporary literature

When World War I began in 1914, Europe plunged into unimagined violence and suffering; when it emerged four years later, modernity was here to stay. This course examines the literature of the "Great War" from the avant-garde movements of the immediate prewar period, through soldiers' war poems and modernist war elegies, to the aftermath when writers attempted to find new sources of meaning in a transformed world. Along the way this course surveys major works of Anglo-American modernism. Authors to be studied include W.B. Yeats, James Joyce, Virginia Woolf, Isaac Rosenberg, Siegfried Sassoon (and other war poets), Gertrude Stein, T.S. Eliot, Ezra Pound, Wallace Stevens, and Ernest Hemingway (A Farewell to Arms).

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Contemporary Literature - Essay by Jimjimjimjim - Anti Essays

For various reasons, some of it the sad and untrue stereotyping and profiling by contemporary identity politics, some of it the unwillingness of Hollywood and television to use SF's literature, there is a disinterest in SF's past, and so SF is essentially starting all over again. This time, SF literature is being influenced by analogues of Buck Rogers and Flash Gordon once said to comprise SF in an earlier era but which was never really true, criticism of Hugo Gernsback and the roaring '30s of SF notwithstanding. Needless to say, Star Trek, Buffy and Dr. Who is not a crucible from which great art will emerge, or any art for that matter when it comes to literature. Ironically, if you read the original story the Buck Rogers comic strip was based on, Armageddon 2419 (1928) by Phillip Francis Nowlan, it is a fairly sophisticated SF story, certainly ahead of its time.