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Free signup required to download or reading online Representing Realists in Victorian Literature and Criticism book. This book is about the historical moment when writers and critics first used the term “realism” to describe representation in literature and painting. While scholarship on realism tends to proceed from an assumption that the term has a long-established meaning and history, this book reveals that mid-nineteenth-century critics and writers first used the term reluctantly, with much confusion over what it might actually mean. It did not acquire the ready meaning we now take for granted until the end of the nineteenth century. In fact, its first definitions came primarily by way of example and analogy, through descriptions of current practitioners, or through fictionalized representations of artists. By investigating original debates over the term “realism,” this book shows how writers simultaneously engaged with broader concerns about the changing meanings of what was real and who had the authority to decide this.
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During the Renaissance/Reformation period, literature flourished primarily in Italy, France, Spain, and England. Thanks to the invention of printing (in 15th-century Germany) and the Early Modern rise of the middle class (which possessed the time and wealth to partake in literacy), literature spread more quickly and to a wider audience than ever before. This article focuses on creative literature (as opposed to scholarly literature); key scholarly developments of this period are covered elsewhere (see , ).
Acosonic – Realism literature essay
While prose and verse are the two forms of writings. Every piece of writing that has sentence form or paragraphs is the prose, whereas verse is the poetic form of writing. Example of prose - Drama, novel, newspapers, short story, biography, essay, journal, philosophy, travel literature, children's literature, fantasy and scientific writings, historical writing, diary, etc. Example of Verse - Poetry.