The Liberal Imagination : Essays on Literature and Society [Lionel

Thus, society creates literature. It may be described as the mirror of the society. But the quality and nature of the reflection depends upon the writer's attitude of mind, whether he is progressive in his outlook or reactionary.

Essays on Literature and society

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Another tell-tale sign you're dealing with radical gay feminism as the core doctrine in the SFF community is you hear (mostly women) people talk about "agency." Agency isn't as simple as giving a woman something meaningful to do in a story but once again comes to us from Jacques Derrida and the poststructualists via Judith Butler. The idea is that through repetition, the presence of women - in a book for example - will eventually work to include women in every nook and cranny of literature and then society through a type of linguistic and visual normalization. Reality is produced by consciously willing it into being and is seen as a revolutionary and subversive act to break the chains of societal constraint. However this corrupt idea would mean that the last 7,000 years of history may well have seen a matriarchy rather than a male dominated world if woman had chanced on the idea of using societal illusions to ensure their dominance instead of men. In that case it would've been oppressed men willing themselves where they were not through repetition until they became fully equal to women. It's no surprise that we once again encounter a self-contradictory idea that is more about (literally) wishful thinking and convenience than reality. Fifty years after the feminist revolution freezer warehouses across the nation are still virtually 100% men. The truth is that men have innate diverse, aggressive and wide-ranging interests that have nothing to do with willing them into reality. The idea that cultures separated by oceans all stumbled onto the illusory secret of oppressing women through heterosexuality and convincing them they can't be equal is daffy.

We Irish Essays On Irish Literature And Society

Generally speaking, intersectionalism sees the success of a proper group as indigenous, deserved, and protected. The success of an improper group is seen as hijacked, lucky, generic and up for grabs. That's how mid-century American SF becomes a literature for the world and African literature invoked by the West becomes theft, cultural appropriation. PC itself hijacks and appropriates legitimate anti-oppression movements and narratives. PC is bigotry turned on its head and put at the service of social justice as anti-racism, anti-sexism, anti-homophobia. But then, when has institutional bigotry ever not claimed justice for itself?

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The reason movie tie-in novels have such a dismal reputation is they are being written based on a film. They exist from the ground up as a thing asking no literary questions and so of course they can have no literary answers. Such novels tend to be flat, dry, matter of fact and bland. PC SFF in effect is an entire body of genre literature that exists on an artistic level that is conformist and sit-commish. PC SFF writers are writing tie-in novels to the social justice war movie being fought outside a literary environment. It is certainly possible to address these issues in a wonderfully literate sense, but when one's priorities are askew, the chances that's going to happen are pretty slim. When one asks political or even hateful questions, one is not going to get an artistic answer. Such a thing is anathema to the higher principled perceptual questions good SF requires, and what you're likely to end up with is a Jonny Quest cartoon where Jonny and Hadji change places, because changing places was the driving question asked and pervading an entire body of literature instead of an artistic one.

Conflict between Individuals and Society in "The Ones Who Walk Away from Omelas" essay - World Literature

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In the philosophical tracts and speculations on history and human nature integrated literature with social and political developments. The inevitable reaction was the explosion of in the later 18th century which reclaimed the imaginative and fantastical bias of old romances and folk-literature and asserted the primacy of individual experience and emotion. But as the 19th century went on, European fiction evolved towards and , the meticulous documentation of real life and social trends. Much of the output of naturalism was implicitly polemical, and influenced social and political change, but 20th century fiction and drama moved back towards the subjective, emphasizing unconscious motivations and social and environmental pressures on the individual. Writers such as , , , and exemplify the trend of documenting internal rather than external realities.

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If literature expresses social sympathies, naturally it is bound to exercise some positive influence on our mind and attitude. Society reacts to literature in a living way. An inspiring poem creates general influence on society. It rouses our feelings and enthusiasm for welfare.