Essays on the Literature of the Beat Generation

The are direct descendants of the Beat Generation. Their association with or tutelage under Ginsberg at The Naropa University's and later at stressed the social-activist legacy of the Beats and created its own body of literature. Known authors are , , Andy Clausen, David Cope, , Eliot Katz, , , , , Sharon Mesmer, Randy Roark, Josh Smith, David Evans.(Citation needed)

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The “founders” of the Beat Generation met at Columbia University in the early 1940s

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's (), 's () and 's () are among the best known examples of Beat literature. Both and were the focus of trials that ultimately helped to liberalize publishing in the United States. The members of the Beat Generation developed a reputation as new , who celebrated non-conformity and spontaneous creativity.

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Description : "Girls Who Wore Black recovers neglected women writers who deserve more attention for their writing and for their historical role in the mid-century arts scene. This collection of essays reopens and revises the Beat canon, Beat history, and Beat poetics; it is an important contribution to literary criticism and history."-Jennie Skerl, author of A Tawdry Place of Salvation: The Art of Jane Bowles "Ronna Johnson and Nancy Grace have done an invaluable service for students of American literature: their collection begins with an essential essay about the three generations of Beat women and then provides fine contributions by critics Anthony Libby, Linda Russo, Maria Damon, Tim Hunt, and others. The value of this book is so clear one must wonder why it wasn't available much earlier."-Linda Wagner-Martin, University of North Carolina, Chapel Hill What do we know about the women who played an important role in creating the literature of the Beat Generation? Until recently, very little. Studies of the movement have effaced or excluded women writers, such as Elise Cowen, Joyce Johnson, Joanne Kyger, Hettie Jones, and Diane Di Prima, each one a significant figure of the postwar Beat communities. Equally free-thinking and innovative as the founding generation of men, women writers, fluent in Beat, hippie, and women's movement idioms, partook of and bridged two important countercultures of the American mid-century. Persistently foregrounding female experiences in the cold war 1950s and in the counterculture 1960s and in every decade up to the millennium, women writing Beat have brought nonconformity, skepticism, and gender dissent to postmodern culture and literary production in the United States and beyond. Ronna C. Johnson is a lecturer in the departments of English and American Studies at Tufts University. Nancy M. Grace is an associate professor in the department of English and director of the Program in Writing at The College of Wooster in Ohio. She is the author of The Feminized Male Character in Twentieth-Century Literature.

Get this from a library! The daybreak boys : essays on the literature of the beat generation. [Gregory Stephenson]
Essay The Howl of a Generation The "Beat Movement" in modern literature has become an important period in the history of literature and society in America.

"The Beat Generation: Critical Essays" by Kostas Myrsiades

Description : In New York in 1944, Campbell finds the leading members of what was to become the Beat Generation in the shadows of madness and criminality. Jack Kerouac, Allen Ginsberg, and William Burroughs had each seen the insides of a mental hospital and a prison by the age of 30. This book charts the transformation of these experiences into literature, and a literary movement that spread across the globe. 35 photos.

StephensonGregory, The Daybreak Boys: Essays on the Literature of the Beat Generation (Carbondale and Edwardsville: Southern Illinois University Press, 1990, …

The Beat Generation - Essay by Paulohare - Anti Essays

The Beat Generation was not just important as a countercultural movement. We don’t just remember Jack Kerouac for sending kids on the road and accidentally birthing the hippies, or Allen Ginsberg for his peace & love messages. We remember them as literary innovators, and as such they have a lot to teach us about writing. Literature changed with the and it has never been the same since. Yet as time goes by, it is easy to forget what exactly they gave us. Let’s take the chance to look over some of the writing lessons handed down by the Beat writers.

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In the mid-1950s this smaller group, through natural affinities or modes of thought or literary style or planetary perspective, was augmented in friendship and literary endeavor by a number of writers in San Francisco, including Michael McClure, Gary Snyder, Philip Whalen, Philip Lamantia, and a number of other lesser-known poets such as Jack Micheline, Ray Bremser, or the better-known black poet LeRoi Jones—all of whom accepted the term at one time or another, humorously or seriously, but sympathetically, and were included in a survey of Beat general manners, morals, and literature by Life magazine in a lead article in the late 1950s by one Paul O’Neil, and by the journalist Alfred Aronowitz in a large series on the Beat Generation in the New York Post.