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Persuasive essay writing help, ideas, topics, examples
But precisely because, in one sense, he is passive toexperience. Miller is able to get nearer to the ordinary man thanis possible to more purposive writers. For the ordinary man is alsopassive. Within a narrow circle (home life, and perhaps the tradeunion or local politics) he feels himself master of his fate, butagainst major events he is as helpless as against the elements. Sofar from endeavouring to influence the future, he simply lies downand lets things happen to him. During the past ten years literaturehas involved itself more and more deeply in politics, with theresult that there is now less room in it for the ordinary man thanat any time during the past two centuries. One can see the changein the prevailing literary attitude by comparing the books writtenabout the Spanish civil war with those written about the war of1914-18. The immediately striking thing about the Spanish warbooks, at any rate those written in English, is their shockingdullness and badness. But what is more significant is that almostall of them, right-wing or left-wing, are written from a politicalangle, by cocksure partisans telling you what to think, whereas thebooks about the Great War were written by common soldiers or juniorofficers who did not even pretend to understand what the wholething was about. Books like ALL QUIET ON THE WESTERN FRONT, LE FEU,A FAREWELL TO ARMS, DEATH OF A HERO, GOOD-BYE TO ALL THAT, MEMOIRSOF AN INFANTRY OFFICER, and A SUBALTERN ON THE SOMME were writtennot by propagandists but by VICTIMS. They are saying in effect,'What the hell is all this about? God knows. All we can do is toendure.' And though he is not writing about war, nor, on the whole,about unhappiness, this is nearer to Miller's attitude than theomniscience which is now fashionable. The BOOSTER, a short-livedperiodical of which he was part-editor, used to describe itself inits advertisements as 'non-political, non-educational,non-progressive, non-co-operative, non-ethical, non-literary,non-consistent, non-contemporary', and Miller's own work could bedescribed in nearly the same terms. It is a voice from the crowd,from the underling, from the third-class carriage, from theordinary, non-political, non-moral, passive man.
What is a persuasive/argument essay
The fact that we always interpret literary works to some extent in thelight of our own concerns -indeed that in one sense o 'our own concerns'we are incapable of doing anything else - might be one reason why certainworks of literature seem to retain their value across the centuries. Itmay be, of course, that we still share many preoccupations with the workitself; but i may also be that people have not actually been valuing the'same' work at all, even though they may think they have. 'Our Homer isnot identical with the Homer of the Middle Ages, no 'our' Shakespeare withthat of his contemporaries; it is rather that different historical periodshave constructed a 'different Homer and Shakespeare for their own purposes,and found in these texts elements to value or devalue, though, not necessarilythe same ones. All literary works, in other words, are 'rewritten' if onlyunconsciously, by the societies which read them; indeed there is no readingof a work which is not also a 're-writing'. No work, and no current evaluationof it, can simply be extended to new groups of people without being changed,perhaps almost unrecognizably, in the process; and this is one reason whywhat counts as literature is a notably unstable affair .