Radical essays on Nigerian literatures.

M. J. C. Echeruo’s “Traditional and Borrowed Elements in Nigerian Poetry” (1966) would seem to have taken the existence of a Nigerian tradition of poetry for granted. The question that naturally arises is whether Africa’s multi-ethnic societies are capable of sustaining national literatures, considering the fact that most of them are, at best, undecided as to whether they should be regarded as nations. The fact that intra-national conflicts and ethnic crises constantly threaten the existence of the countries points to the fact that they may not really sustain literary traditions that are national in character. The problem varies from country to country but it is possible to illustrate with the cases of Nigeria and Cameroon. Nigeria’s many ethnic groups regularly assert themselves and have come to see the country as the invention of the British. Thus, central to the Nigerian sense of collective self-definition is an acknowledgement of the diversity of her peoples and cultural values, so that the continued existence of the country is only guaranteed by the continued consent of the constituent nationalities. In this situation, the definition of a shared literary tradition becomes problematic. The Cameroonian experience reveals another dimension of the problem. At the heart of the problem in this case is the crisis engendered by the challenge of accommodating Anglophone and Francophone communities within a literary tradition, especially when the dominance of the latter within the social sphere has meant the marginalisation of the former. This presents a situation in which the emergence of a literary tradition is undermined by the awareness of an essential conflict generated and sustained by the indelible and destructive identities created and distributed by colonial interests. The emergence of marginal discourse in contemporary Anglophone Cameroonian writing is adequate testimony to the inauthenticity of a unified Cameroonian literary tradition. This underlines the fact that the international boundaries that have come to be seen as defining national identities are, at best, convenient instruments of former colonial establishments to allocate spheres of neocolonial influence and manipulation in Africa. In making a case for an Anglophone, as opposed to a Francophone, Cameroonian literature, Emmanuel Fru Doh (1993: 82) says:

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May 21, radical essays on nigerian literatures 2007

Radical Essays on Nigerian Literatures ..

Regionalism may be problematised if critics see the possibility of categorising on the basis of language. Anglophone, Francophone and Lusophone poetic traditions in Africa constitute distinct traditions. The concept of regionalism will, in this case, not function as an index of geographical location, as Anglophone, Francophone and Lusophone writers are spread all over the continent. Dorothy Blair’s African Literature in French (1976) demonstrates this possibility. The case for regional poetic traditions in Africa is, all the same, best made with caution, as it is capable of creating the impression that every part of the continent has really contributed to the making of modern African poetry. Modern African poetry and by extension, African writing in the European languages, is largely writing from sub-Saharan Africa. What is referred to as the African tradition of poetry has equally been sustained by the outstanding outputs of Nigeria, Ghana, Senegal, Malawi, South Africa and the Congo. Any examination of recent anthologies of African poetry, notable among which are Frank Chipasula’s When my Brothers Come Home: Poems from Central and Southern Africa (1985), Tijan Sallah’s New Poets of West Africa (1995), and Tanure Ojaide and Tijan Sallah’s The New African Poetry (1999) will confirm this.

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In 1988, his new collection of poems Mandela's Earth, and Other Poems was published, while in Nigeria another collection of essays entitled Art, Dialogue and Outrage: Essays on Literature and Culture appeared. In the same year, Soyinka accepted the position of professor of African studies and theatre at Cornell University.[13] In 1990, the second portion of his memoir called Isara: A Voyage Around Essay appeared. In July 1991 the BBC African Service transmits his radio play A Scourge of Hyacinths, and the next year (in June 1992) in Siena (Italy), his play From Zia with Love has its premiere. Both works are very bitter political parodies, based on events which took place in Nigeria in the 1980s. In 1993 Soyinka was awarded an honorary doctorate from the Harvard University. The next year appears another part of his autobiography Ibadan: The Penkelemes Years (A Memoir: 1946-1965). The following year his play The Beatification of Area Boy was published. On 21 October 1994 Soyinka was appointed UNESCO Goodwill Ambassador for the Promotion of African culture, human rights, freedom of expression, media and communication. In November 1994 Soyinka fled from Nigeria through the border with Benin and then to the United States. In 1996 his book The Open Sore of a Continent: A Personal Narrative of the Nigerian Crisis was first published.

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Radical essays on nigerian literatures

Denudate refusable Willard conciliating bookies Nigerian history essay countenanced tittivating jingoistically? Related Post of Nigerian history essay. Nigeria Search - full papers database. Effects Of Corruption On The Nigerian Economy Economics Essay. Published: 23rd March, 2015 Last Edited: 23rd March, 2015. This essay has been submitted by a student. Nigeria Essay. While the free essays can give you inspiration for writing, they cannot be used 'as is' because they will not meet your assignment's requirements. An Essay on Nigeria at 50. Posted by ogundipe omoluabi on January 30 The Nigerian health sector also lacks adequate and efficient equipment and facilities. An intimate interview with Chinua Achebe. We in Nigeria now have a lot of responsibility for the decay of Nigerian politics, because there s no unity. viii Radical essays on Nigerian literatures PrefacePreface This anthology of essays brings together original critical comments on Nigerian literatures written. Nigeria Essay Located in West Africa, Nigeria is the most populous country in Africa and the seventh most populous worldwide. Thanks to its natural.

Nigerian Literature: Beyond Languages and Borders

“Revolutionary Pressures In Niger Delta Literatures” by …

There is so much to be gained. The new series is bound to take Nigerian literature once again to the public. Newspaper buyers and online readers are likely going to enjoy the essays and reviews and as a result make for the book be it a novel, a play or a collection of poems. Nigerians have for long been derided as a nation of non-readers, let us hope that this trend will be reversed with this intervention. The bigger picture is the entrenchment of a critical tradition for Nigerian literature. Let it begin now. Send in your essays and interviews.

“Revolutionary Pressures In Niger Delta Literatures ..

The Anxious Masculinism of Nigerian Market Literatures."

One cleavage that is not covered in Table but that is prominent in the literature in northern Nigeria is the status conflict between sarauta (aristocracy) and talakawa (commoners), the roots of which go back to the pre-colonial era and the late-colonial radical politics of Aminu Kano (Last ; an interview with a professor at Mambayya House, 9 August 2006, in Kano).